The audio + video release of Mr. Bungle's 2020 livestream event, The Night They Came Home. Includes performances of songs from their album, The Raging Wrath Of The Easter Bunny Demo, along with cover songs, official music videos, behind-the-scenes bonus features and celebrity guest cameos. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross.
Sleater-Kinney's 10th studio album was recorded in Portland, Oregon during the summer of 2020 ' against a backdrop of social unrest, devastating wildfires, and a raging pandemic. It's music for an imagined togetherness. This marks the first Sleater-Kinney album produced by the band members themselves.
Vinyl: $34.98 Buy
Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping new single, "Distance” plus “Don’t Back Down,” “Epiphany,” “Mammoth” and more.
At the beginning of 2015, Wolf broke ground on what would become Mammoth WVH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC, Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument.
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much.”
Vinyl: $34.98 Buy
Big Mess marks Elfman’s first solo collection in more than thirty years, but it’s no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
The songs here call to mind everything from Nine Inch Nails, to David Bowie to XTC at times, balancing dense, harmonically complex arrangements with biting, acerbic wit as they reckon with the chaos and confusion of the modern world. Elfman wrote almost all of the record during quarantine, and while the anger, frustration, and isolation of it all is palpable in his delivery, Big Mess is about more than simply blowing off steam. In making the space to truly sit with his emotions and write without limitations, Elfman achieved a kind of artistic liberation on the record that had been eluding him for decades, rediscovering his voice and reinventing himself all at once in the process.
Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.
Vinyl: $48.98 Buy
Considered to be one of the best live albums of all time, Bob Seger & The Silver Bullet Band’s ‘Live’ Bullet was captured at Cobo Hall, Detroit, MI, in September 1975. The album was released April 12, 1976, and helped to supercharge Bob Seger’s career. To mark the 45th anniversary, the album has been remastered and will be released in its original 2LP format in both black and color vinyl.
MP3 Album: $9.99 Download
'It's about hopelessness and darkness,' says Aidan Moffat. 'But in a fun way.' The Arab Strap frontman is speaking about the band's 7th studio album and their first since 2005's The Last Romance . The band who bought you the classic and legendary "The First Big Weekend" return with new music for the first time in 15 years. 'It's definitely Arab Strap, but an older and wiser one, and quite probably a better one.' The first track lifted from the new album 'The Turning of Our Bones' saw a much welcome return to form and proved very much that Arab Strap are back from the grave and ready to rave! As the bands Malcolm Middleton told the Guardian newspaper when they profiled the band upon news of their return, 'There's no point getting back together to release mediocrity.'
On “bb u ok?”, San explores the intersection of festival anthems and lo-fi bedroom ballads by mixing more analog instruments and equipment into his genre-bending sound. He fleshes out his band with collaborations, from “album1” returnees Bipolar Sunshine and The Nicholas, to long-time heroes of San’s including Illinois indie rockers American Football and Rivers Cuomo.
San Holo’s first album, album1, debuted on the Billboard Dance/Electronic Album chart at No. 7 and topped the iTunes Electronic Charts in the US, Canada and other countries. Following the release of the album, San embarked on a year-long world tour that hit 75 dates across Asia, New Zealand, Australia, Europe and North America, selling 100,000 tickets in NA alone. Even more than the ticket sales, streams and awards, album1 proved the strength of San’s international fanbase. The artist deepend that relationship throughout 2020 with his Stay Vibrant movement, a concept that asks for honesty with oneself and others.
Vinyl: $49.98 Buy
On June 15th 2014, Jason Isbell reunited onstage with former Drive By Truckers bandmates Patterson Hood and Mike Cooley for a special round-style night in Muscle Shoals Music. The setlist includes acoustic versions of Isbell-era Truckers gems including “Heathens,” “Decoration Day” and “Zip City” as well as post-Isbell Truckers tracks like “Space City” and solo Isbell faves such as “Cover Me Up.” The set opens and closes with a pair of classic Hood-sung numbers, 2004′s “Tornadoes” and 2001′s “Let There Be Rock.”
A reinterpretation of 2020’s hugely successful and critically acclaimed LP Roisin Machine by producer Crooked Man aka DJ Parrot.
If Roisin Machine was the big night out… this is the afterparty where things get darker & more twisted.
Like the original LP it is segued as a continuous listening experience.
He likes a ‘version’ does our Parrot.
When Roisin Machine was in the making you would often have 3 or 4 versions of a track suddenly drop into your inbox. All different, all brilliant… so the idea of Parrot doing his own version of the LP was always on the cards. Inspired by albums such as the 1985 LP Padlock, Imagination’s Night Dubbing and Love & Dancing by The Human League, the Crooked Man has delivered something quite extraordinary. “Parrot doesn’t try to be ‘cool’, I reckon that’s the last thing on his mind. He makes music with a real sense of responsibility to the craft. He just cannot make rubbish music, he’d be too ashamed. So everything he is and everything he has learned, is put into everything he does. I think Crooked Machine is one of his greatest achievements so far. I left him and Fat Dave to their own devices on this and they have outdone themselves! I absolutely love it!! I think I prefer it to the original album, slightly less me and all the more ‘cool’ for it! “
Vinyl: $26.98 Buy
Indigo De Souza’s I Love My Mom, her debut LP initially released in 2018, is a collection of the best songs she’d written in the few years that preceded it, recorded quickly and breathlessly and thrown out into the world. Consisting of ten songs, the album feels both raw and unabashed. Indigo pulled a band together for the first time, and was quickly encouraged to commit her songs to tape. Recorded at her friend’s house, they played almost everything live in just a few days, and released the record naturally, with little fanfare. That the record quickly took on a life of its own, deeply resonating with those who heard it, is a testament to Indigo’s songwriting. On June 11th, I Love My Mom gets the full release it deserves - pressed to vinyl for the first time, ahead of a brand new LP a little further down the road.
The term “Front Porch Singin’” may actually be a metaphor for many creative and conceptual musical ideas. But, for us, this title has become more of an attitude than anything else. What if the four of us were sitting on a porch together and someone begins to sing a favorite old Gospel song, like “Swing Down Chariot,” or a country and Western standard like “Red River Valley,” and everyone else just joined in? That is what happened at RCA Studio A. But, as usual under producer Dave Cobb’s leadership, this album turned into so much more. The Front Porch Singin’ attitude remained prevalent throughout, as songwriters, musicians, Dave and all four of us kept coming to the table with terrific creative ideas to enhance our Front Porch experience.
This project is quite honestly one of the most heartfelt albums we have ever recorded. Perhaps it is because we recorded these songs in the middle of a raging pandemic that changed the face of America and obviously took a huge toll on those of us in the music business. It was a bit strange to social-distance from each other in the studio, but we believe it drew us all closer and, in doing so, we may have inadvertently recorded the perfect project for this time period. These songs, whether new or old, reflect a certain optimism and a deep-seated faith that God will work all of this out as we move forward. “Life is beautiful,” as one song says. We must embrace it and celebrate it with all of our being.
Join us on The Front Porch and, if it is God’s will… Let’s keep on SINGIN’.
—The Oak Ridge Boys
Nowhere Generation’s unabashedly outspoken 11 songs explore the tight bonds and the distances we share, the struggles of everyday life, our personal failings and triumphs, as well as how the social and economic decks can be stacked against us. But Nowhere Generation also hints at the reclamation of ourselves, a call to resurrect who we are at our core, who we want to be and what we want to do with our lives, despite the rampant weaponizing of our culture. As lyricist Tim McIlrath wrote on “The Numbers”: …these cold nights are almost unbearable, but purpose keeps us warm.
Nowhere Generation was recorded at The Blasting Room in Fort Collins, Colorado under the tutelage of Jason Livermore, Andrew Berlin, Chris Beeble and long-time producer/engineer Bill Stevenson (Black Flag, The Descendents) who has worked with the band on nearly all of their acclaimed releases since their sophomore effort, 2003’s Revolutions Per Minute, and is often described as Rise Against’s fifth member.
"Listening to the story of Canadian duo cleopatrick is a bit like hearing the plot of the best, most righteously validating coming-of-age film never made. Two friends meet aged four in Hicksville, Nowheretown (real name: Cobourg, Ontario, population 19,000), grow up completely inseparable, form a band and, against numerous obstacles, blossom into a genuine, global underground sensation. There are heroes and villains, highs and lows and, crucially, some of the most poetic plot twists that could seem almost too perfect, were they not completely true.
Take the story of 2017 breakthrough track ‘hometown’ for example. “It’s one of the craziest, most ironic things that’s ever happened,” begins vocalist and guitarist Luke Gruntz. “I was going to college because I was too scared to put all my chips in the band pile, and that’s what ‘hometown’ is about: it’s a song about feeling like we’re doing all this stuff and we’re working so hard and we’re just never going to be heard. It’s literally a song about people probably never hearing our songs. And then by some act of the universe, that song ended up unlocking all the doors for us.”
Today, cleopatrick has logged 77 million streams and counting - all from an increasingly dedicated fanbase who’ve found the duo, completed by drummer Ian Fraser, their own way: no major label, no big budget, just two best pals knuckling down, cementing a unique sonic alchemy and filling a space of honest, empathetic yet undeniably heavy-hitting rock music that they’d been searching for themselves for years. Between multiple sold out tours in Canada, the US and the UK/EU and appearances at Lollapalooza, Austin City Limits and Reading/Leeds, the pair have been crafting BUMMER: a debut album that sees cleopatrick harness all the magic they’ve been brewing over their two-decade friendship and funnel it into a record that aims to reinvigorate the rock landscape from the ground up. Taking the ethos of their New Rock Mafia collective - a group of friends and fellow bands, united in making a more inclusive, equality-driven space in rock music - and imbuing it with the sonic ambition and ferocity of a record designed to be played hard and loud, it’s an album about two friends, who’ve been with each other since the formative first steps that adorn ‘BUMMER’’s heartwarming cover image and made something that’s a testament to the power of sticking to your guns."
Poté (Sylvern Mathurin) is St. Lucian-born, London-bred and Paris based, electronic artist, due to release his forthcoming album “A Tenacious Tale Of Her” on Bonobo’s label OUTLIER this summer.
With an impressive, unique sound, his new album is written as a theatrical play, a theme which also leans into the creative direction behind his record. The first single ‘Young Lies’, features musician and singer, songwriter, Damon Albarn of Blur and Gorillaz.
Poté has formally created remixes for the likes of Gorillaz’ ‘Trans’ and Little Dragon’s ‘Hold On’. His previous releases include debut digital album “Spiral, My Love” released in 2018 on Benji B’'s Deviation Music imprint followed by “Waters of Praslin” EP in 2019. This year he put out EP “Rose” in January along with latest single ‘Pearls’ in August on his own label Versicolor.
Playing live, he has supported Bonobo on tour in Europe as well as singer and drummer Georgia for six dates in the UK.
Poté has seen support across many different outlets from Clash album review (8/10), Clash Track of The Day, Mixmag album review (print edition), Mixmag All Points East streamed solo live show from in London, Mixmag The Lab LDN, DJ Mag mix, XLR8R, Dummy single premiere, Beat Culture and more.
MP3 Album: $9.99 Download
With over 5,000 performances spanning four decades, 20 million records sold worldwide, and inducted into the Rock and Roll Hall of Fame, CHEAP TRICK is undoubtedly one of the most influential classic rock groups of the past 50 years. The band was formed in 1974 and while it has evolved throughout the years, CHEAP TRICK has continued to reach mainstream and critical success. Hits such as “I Want You To Want Me,” “Dream Police,” and “Surrender” have cemented the group as one of America’s top rock ‘n’ roll bands of all time.
Concurrent with his time in the Jayhawks, Louris has been a charter member of the part-time alt-rock supergroup Golden Smog, which at various times has included members of Soul Asylum, Wilco, the Replacements and Big Star.
Along the way Louris has produced records by various artists, contributed songs to Grammy Award-winning albums by the Tedeschi/Trucks Band and The Dixie Chicks; and recorded with acts as diverse as the Black Crowes, Counting Crows, Uncle Tupelo, Joe Henry, John Hiatt, Lucinda Williams, Roger McGuinn, Maria McKee, Nickel Creek, Carrie Rodriguez, Tift Merritt and the Wallflowers.
Louris released his first solo album, Vagabonds, in 2008. His long awaited 2nd solo album, Jump For Joy, is scheduled for a summer 2021 release.
Rock and Roll Hall of Famer and ZZ Top frontman, Billy F Gibbons wants to take you on a desert trip. Hardware is Billy's third release as a solo artist. He compiled a group of a-listers including Matt Sorum (dr), Austin Hanks (gtr) and headed into the California desert to record in Pioneertown. Hardware features the guitar prowess and vocals that have made Billy a legend but it also shows Billy stretching his music landscape past the place where the road ends.
Vinyl: $38.98 Buy
Moby’s eclectic career has cast him in the roles of electronic dance music pioneer, singer and songwriter, producer, activist, and restaurateur, but for his latest venture he presents his music in a whole new light.
Together with Deutsche Grammophon, he is releasing an album of his best known tracks in stunning new arrangements for classical instruments – featuring Moby himself and a stellar lineup of collaborators from across the musical spectrum.
Always a daring and imaginative thinker, Moby’s first classical collaboration happened in October 2018, when he performed a selection of his songs alongside the LA Phil and conductor and friend Gustavo Dudamel. This was the inspiration for the current project, which features not only full orchestral versions but new electronic arrangements, as well as sophisticated smaller-scale acoustic interpretations.
The 14-track album includes classic Moby songs like “Porcelain”, “Why Does My Heart”, and “Extreme Ways” in innovative new versions, featuring eye-catching collaborations including both Jim James (My Morning Jacket) and Víkingur Ólafsson on “Porcelain”; Gregory Porter and Amythyst Kiah on “Natural Blues”; and Kris Kristofferson as well as original vocalist Mark Lanegan on “The Lonely Night”. The album concludes with a cover of David Bowie’s “Heroes”.
CD: $149.99 Buy
8CD Book set with bonus 12 inch single. United Souls, in conjunction with Sony Legacy Recordings, is delighted to celebrate the 50th anniversary of Philadelphia International Records with the eagerly anticipated release of Get On Board The Soul Train - The Sound Of Philadelphia International Records Volume 1. This is the first volume in a limited edition series which covers the first eight studio albums released by the label from 1971-1973. The series, in which all album are re-mastered from the original tapes, will map the history of Philadelphia International Records chronologically. Housed in a stylish 48 page slipcased book, the edition is strictly limited to 2500 copies. It also includes a numbered certificate of authenticity, an exclusive 12" single and a unique poster. The detailed 48 page hard cover book, including rare photographs was compiled and curated in association with PIR artists, engineers and producers, with liner notes by Tony Cummings (Author of The Sound of Philadelphia) and a foreword by Ralph Tee. The eight classic albums included in Volume 1 comprise: Billy Paul - Going East/Harold Melvin & The Blue Notes - I Miss You/The O'Jays - Back Stabbers/Billy Paul - 360 Degrees of Billy Paul/Dick Jensen - Dick Jensen/The Intruders - Save the Children/MFSB - MFSB/Billy Paul - Ebony Woman. Exclusive 12"- The O'Jays - Back Stabbers / MFSB - Back Stabbers
In celebration of Pride Month, Nonesuch Records releases k.d. lang’s makeover, a new collection of classic dance remixes of some of her best-loved songs on May 28, 2021. The album brings these remixes, made between 1992 and 2000, together for the first time, and includes “Sexuality,” “Miss Chatelaine,” “Theme from the Valley of the Dolls,” “Summerfling,” and the #1 dance chart hits “Lifted By Love” and “If I Were You.” makeover’s cover art features a previously unseen 1995 portrait of lang by David LaChapelle. The album is available on transparent turquoise vinyl.
LP Deluxe gatefold tip on Jacket, comes with set of 5 prints. [w/ download card]
m b v is the highly anticipated and long awaited 2013 album from the British Alt-Rock icons led by the esteemed Kevin Shields. MBV is the follow-up to their genre-defining 1991 album Loveless.
Lord Huron presents their fourth studio album, Long Lost. The band has often tried to uncover the past of their studio, Whispering Pines, without much success. Instead, they decided to imagine what has gone on in the studio, who has passed through, and that is how Long Lost was created. Featuring the singles “Not Dead Yet,” “Mine Forever,” “I Lied” and “Love Me Like You Used To.”
LP Packaging: Opaque Custard/Blue mixed color vinyl; gatefold jacket
In the midst of a global pandemic, John Hiatt walked into Historic RCA Studio B and opened up a lifetime full of leftover feelings. A half-century ago, Hiatt lived in a ratty, $15-a-week room on Nashville’s 16th Avenue, less than a mile away from the RCA and Columbia studios that were the heartbeat of what had come to be known as “Music Row.” In the ensuing 50 years, he went from a scuffling young buck to a celebrated grand master of song.
With Leftover Feelings, Hiatt teamed up with multi-grammy winning artist and producer, Jerry Douglas and his band, The Jerry Douglas Band. There’s no drummer, yet these grooves are deep and true. And while the up-tempo songs are, as ever, filled with delightful internal rhyme and sly aggression, the Jerry Douglas Band’s empathetic musicianship nudges Hiatt to performances that are startlingly vulnerable.
In life, leftover feelings can remain unresolved, no matter how often explored. Explicated in a place of history, a place of comfort. A sacred place, if you believe the documentation of human expression to be a holy thing. Here then, with this album, there is a meeting of bruised and triumphant American giants. Here are Hiatt and Douglas, creating the meant-to-be: Love songs and road songs, sly songs and hurt songs. Their songs, and now our songs. Leftover feelings that edify and sustain.
On May 14, The Black Keys release their tenth studio album, Delta Kream, via Nonesuch Records. The record celebrates the band’s roots, featuring eleven Mississippi hill country blues standards that they have loved since they were teenagers, before they were a band, including songs by R. L. Burnside and Junior Kimbrough, among others. Dan Auerbach and Patrick Carney recorded Delta Kream at Auerbach’s Easy Eye Sound studio in Nashville; they were joined by musicians Kenny Brown and Eric Deaton, long-time members of the bands of blues legends including R. L. Burnside and Junior Kimbrough. The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover.
12" pink splatter vinyl (special-edition indie variant), custom printed gatefold jacket with boards and 2 open pockets, 28-page printed LP booklet on art paper with custom collage artwork/lyrics, printed sleeve, custom flower fan sticker, custom holographic "I am SLAH" fan sticker, shrinkwrap.
After years dedicated to rowdy, high-energy live shows, providing tour support for Old Crow Medicine Show, Travis Tritt, Sam Bush, and Shooter Jennings---and building their own grassroots cult-following---Strung Like a Horse teamed up with Transoceanic Records and Grammy-winning producer, Matt Ross-Spang (Jason Isbell, John Prine, Margo Price, Calexico/Iron & Wine, Lucero), to record their first studio album, WHOA!, at Nashville's famed Sound Emporium. Most of the tracks the band laid down together in one pass, without overdubs, and were sent direct to tape, making it a “record that captures the vibe of their rightfully celebrated live shows perfectly.”
WHOA! has spent over 16 consecutive weeks in the Top 40 at Americana Radio, while debuting at #2 on the Billboard Bluegrass albums chart, #1 on Amazon New Releases, #2 on the Amazon Alt-Country/Americana chart, #4 on the Alt-Country Specialty chart, #7 on Bluegrass Today’s Grassicana chart, #6 on the Folk chart, and #2 on the Alternative Folk chart. The album also made No Depression’s “Best Roots Music Albums of 2020,” Alternate Root’s “Top 100 Albums for 2020,” and Next’s “Notable Songs in 2020” year-end lists. Their official music videos of the radio hits, "Crazy Like Me" and "Till the Wheels Fall Off," premiered on Ditty TV and CMT Music channel.
MP3 Album: $11.49 Download
To mark the 50th anniversary of the release of RAM, the album will be pressed from a master cut at half speed using the original master tapes at Abbey Road.
The only album credited to both Paul and Linda McCartney, RAM reached Number 1 in the UK and stayed in the US Top 10 for five months. Recording after he’d left The Beatles and before the formation of Wings, Paul initially flew with Linda to New York to record the songs they’d written but arrived without a band. As Paul recalls, “We were thinking of forming a group at that time, Wings. We went to New York, found a really grotty little basement somewhere and auditioned a bunch of people. We got someone to throw a lot of drummers at us, out of which we picked Denny Seiwell who’s one of the best, and his personality fitted. Then we went in, worked with him, Hugh McCracken, Dave Spinozza, a couple of New York session men, and did RAM.” To avoid arousing too much interest, the auditions were held under the guise of a session for a commercial jingle. As well as Paul’s lead vocals there are harmonies from Linda. “I gave her a hard time, I must say, but we were pleased with the results. Elton John later said somewhere that he thought it was the best harmonies he’d heard in a long while. It was very much the two of us against the world at that point.”
Daddy’s Home, the sixth album from St. Vincent, is the latest facet of an ever-evolving artist regarded by many as the most consistently innovative and intriguing presence in modern music. The album was pro-duced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhard, Lynne Fiddmont and Kenya Hathaway.
"Daddy's Home collects stories of being down and out in downtown NYC. Last night's heels on the morning train. Glamour that's been up for three days straight.”—St. Vincent
The forthcoming album from The Steel Woods, All of Your Stones, took on a new dimension back in January when the band’s founding guitarist and principal creative force, Jason “Rowdy” Cope, passed away peacefully in his sleep at age 42.
The new album is the third offering from one of the fastest rising bands in the worlds of independent country and Southern rock. Since releasing their debut Straw In The Wind album in 2017, The Steel Woods have staked their claim as worthy successors of Southern rock icons Lynyrd Skynyrd, with a dynamic live show and a songwriting verve that draws inspiration from country icons like Willie Nelson and Waylon Jennings.
When The Steel Woods entered the studio to record All Of Your Stones, smack in the middle of a global pandemic, it’s clear they had something to prove, if only to themselves. Cope had wrestled with undiagnosed PTSD and its multitude of symptoms after the release of sophomore album Old News. Wes Bayliss, the band’s singer and co-songwriter, wasn’t always sure what the future held for the group, which is rounded out by Johnny Stanton (bass) and Isaac Senty (drums).
Reflecting on Rowdy’s vision and passion for the band, Stanley says the last thing Jason would have wanted was for the music to stop. Bayliss concurs. “We were always going to do the things you do when you put out a record. Now, there is simply a little more reason.” Indeed there is more reason.
With the release of All Of Your Stones, The Steel Woods now have the responsibility to keep the fire burning. After all, it’s what Rowdy would want.
Riley Downing (The Deslondes) sat down one day and decided he wanted to record a song or two for a simple 45. The Deslondes had been on a hiatus for a while and Downing had the creative itch to put something down on record. He had been in contact with his bandmate, John James Tourville and they decided to work on a split 7” with a friend.
The recording session felt like a breath of fresh air and the communion of talented musicians produced more songs than expected. Downing left the session energized and continued to record and trade demo’s with Tourville. Downing and Tourville decided that there were enough ideas to make an album. There were not going to be any rules and nothing would be discarded. All notes and lyrics would be considered.
Start It Over is the result of that creative effort. An album where each song was crafted with a different idea in mind. Some of the songs are more nostalgic than others and some were just written for good ol fashion fun. There is a romantic quality in each song. One song might help someone get through a hard time while one song might contribute to a good time. One song might bring up memories of a better time or just get you far enough down the road to start over.
Broken Mirror: A Selfie Reflection is a timely callout to the power of collaboration, of kindred spirits connecting in crowded rooms. More important, though, is this collision of two profoundly Southern artists, meeting to shed expectations of generation and genre, scene and situation and exchange truth, wisdom, and energy. The real world is more complicated than a pretty digital picture, bowdlerized of blemishes. As Broken Mirror: A Selfie Reflection reminds us, it can be more revelatory and transformative, too.These racks are balls of energized contemplation, Holley crooning grievances and observations above surrealist grooves so irrepressible and heavy that the words strike with the force of gospel. Holley strolls into "I Cried Space Dust" as if he's wandered into the On the Corner sessions and offered unsolicited insights on true transcendence. "I'm Not Tripping" is an anthem of self-worth and self-enjoyment for a society mired in self-doubt, the words breaking like light beams through clouds of atomized drums and synths. And Holley begins the title track as a character mindlessly staring into a cell phone, captivated by his own image like Narcissus at water's edge. Holley ponders the egotism of projection over dizzying keyboards and guitars so jagged they conjure fractured glass. By song's end, he's mocking this infrastructure of pandering for likes, jeering us all above a savage bassline that dares you to differ.Holley and White may seem like unlikely collaborators, divided as they are by decades and disciplines. Holley, 70, first earned attention as a sculptor far removed from the fiefdom of fine art, using society's detritus to create curious bricolages that ferried deep narratives of ancestral pride, enduring pain, and eternal hope. His music-privately stowed on stacks of cassettes before he released his staggering 2012 debut, Just Before Music, at the age of 62-aired those ideas over extemporaneous pieces for prismatic keyboards. But on Big Inner and Fresh Blood, White, now 38, came into acclaim as one of his generation's most meticulous songwriters and arrangers. Stretching his assuredly soulful voice like a smile across little symphonies of strings, horns, choirs, and percussive cavalcades, White commanded sounds where Holley seemed to glide inside them.
Eminem is back with "Music To Be Murdered By - Side B" Deluxe Edition. Features 16 new tracks (13 tracks + 3 skits). Executive produced by Eminem and Dr. Dre, the deluxe album features Skylar Grey, DJ Premier, Ty Dolla $ign, Dr. Dre, Sly Pyper, MAJ and White Gold. Opaque Grey 4LP available August 13th.
While many know Bergman as one half of brother-sister duo Wild Belle, her forthcoming record is a cathartic collection rooted in the hopeful values and traditions of gospel that have helped her through the recent, tragic loss of her father. On the signing of Natalie Bergman, Third Man Records co-founder Ben Swank adds, “Natalie has a unique vision and has approached this album with a reverence for the sacred and healing nature of the history of this music, but has managed to update it in a way that is distinctly her own. We're very excited to welcome her to the Third Man label and family.” Alongside her brother Elliot, the island-influenced music Natalie Bergman made in Wild Belle has led to collaborations ranging from Major Lazer to Tom Tom Club, performances at Coachella and Lollapalooza, tours with Beck, Cage The Elephant, Toro y Moi and more. Helmed by her heavenly voice, Bergman’s solo album is steeped in mystic melodies and time-bending tones of psychedelic rock and soul. Showcasing her multi-instrumental and creative versatility, songs will be accompanied by visuals that blend her own abstract artwork, self-designed wardrobe and beyond. Stay tuned.
Nancy Wilson has recorded 16 albums and sold over 35 million albums worldwide with her band, Heart. Within that history-making career, You and Me represents something special, as it is Nancy Wilson’s very first solo studio album.
You and Me was primarily recorded in Wilson’s California home studio, working with band members and special guests remotely. Most of the tracks are originals, but Wilson decided to include a handful of covers by a few of her favorites, including her moving version of Bruce Springsteen’s “The Rising,” a female perspective of Pearl Jam’s “Daughter,” a stirring turn of Simon & Garfunkel’s “The Boxer” featuring Sammy Hagar, and an ethereal cover of the Cranberries “Dreams,” featuring Liv Warfield from Nancy’s previous band Roadcase Royale. The album also includes Guns N’ Roses’ Duff McKagan, and Foo Fighters’ Taylor Hawkins on a new track, “Party at the Angel Ballroom.”
The title track and first single “You and Me” highlights the intimate feel of the album. Like all the legendary music she’s created with Heart, “You and Me” is an emotional, intimate conversation between a musician and an audience.
Esther Rose was in perpetual motion when she wrote How Many Times. In the span of two years, she moved three times, navigated the end of a relationship, and began touring more than ever. The New Orleans-based singer-songwriter used that momentum while she penned her third studio album. That's why, as the album title's nod to the cyclical nature of life implies, there's a rush that accompanies How Many Times as if you're experiencing an awakening, too.
With the integrity of Dean Johnson, Faustina Masigat, and Kiki Cavazos serving as primary influences, Rose expands her alt-country sound into a blossoming world of folk pop, rustic americana, and tender harmonies. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs. From opening for Nick Lowe on tour to being asked to sing on Jack White's latest album, Rose's journey through the past few years has been one of saying yes to new opportunities, all while nurturing and playing in bands in the New Orleans country music scene. The arrival of How Many Times is evidence of the sweeping growth Rose has undergone, both personally and artistically. She's turning towards her troubles and facing them head-on, ready to feel whatever's necessary in order to keep growing upwards and outwards.
With each new release, Elias Bender Rřnnenfelt, Jakob Tvilling Pless, Jojan Surrballe Wieth and Dan Kjćr Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist, Casper Morilla, the album sees Iceage's propulsive momentum pushing them in new, expansive, ecstatic directions, exploring a new emotional palette, replete with romantic piano balladry, invocations of patron saints, and a gospel choir.
Vinyl: $21.98 Buy
After two UK #1 albums, 2 million album sales and an array of international acclaim, you might’ve thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released ‘Trouble’s Coming’ last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what they’d forged their reputation with.
When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original.
“We sort of stumbled on this sound, and it was immediately fun to play,” recalls Kerr. “That’s what sparked the creativity on the new album, the chasing of that feeling. It’s weird, though - if you think back to ‘Figure it Out’, it kind of contains the embryo of this album. We realised that we didn’t have to completely destroy what we’d created so far; we just had to shift it, change it. On paper, it’s a small reinvention. But when you hear it, it sounds so fresh.”
Those traits pulsate throughout the new single and title track. Kerr’s spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. It’s underpinned by Thatcher’s thundering beats, his taut rhythms infused with groove-laden hi-hats.
After setting the tone with ‘Trouble’s Coming’, the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of ‘Who Needs Friends’ hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on ‘Million & One’ before dynamically switching between the biggest contrasts of their sound with ‘Limbo’. Already a fan favourite having been a regular during the duo’s 2019 shows, ‘Boilermaker’ lives up to its reputation and is more than matched by ‘Mad Visions’, which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad ‘All We Have Is Now’, a vulnerable and revealing reminder to live in the moment.
This new approach manifested itself in the duo’s decision to produce the majority of ‘Typhoons’ themselves. ‘Boilermaker’ was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced ‘Who Needs Friends’ and contributed additional production to ‘Trouble’s Coming’.
if i could make it go quiet, the debut album from girl in red, is the musical distillation of Marie Ulven’s solitary conversations on the road: it’s an album brimming with the things we wish we could say to others, but tell ourselves instead. The album is girl in red in its purest, elevated form. She has never been braver, and the music follows suit, whether it’s collaborating with pop mastermind and Billie Eilish collaborator FINNEAS on “Serotonin,” a huge pop anthem that speaks to Ulven’s struggles with mental health, or flexing her instrumental chops with album closer “it would feel like this.” Betrayal, lust, longing, pulling herself out of a depressive spell -- nothing is off-limits on if i could make it go quiet.
“I really poured my heart into a lot of these lyrics, fully,” she says. “I just feel like I emptied myself in this album.”
Leon Vynehall returns with new album ‘Rare, Forever’ — the follow up to his critically acclaimed debut album ‘Nothing Is Still’, which garnered widespread praise including appearing in ‘Album of the Year’ lists from Rough Trade, Mixmag, Esquire, Resident Advisor and received an 8.2 review from Pitchfork (also included in their Albums of the week roundup).
Vynehall has collaborated with Eric Timothy Carlson and Aaron Anderson (both Grammy nominated for their work with Bon Iver) on the 'Rare, Forever' artwork and imagery .
A unique new album of poetry and music featuring Marianne Faithfull, set to the music of Warren Ellis, and featuring Nick Cave, Brian Eno and Vincent Ségal.
Marianne Faithfull releases one of the most distinctive albums of her extraordinary life and career with composer and multi-instrumentalist Warren Ellis. It was recorded just before and during the first Covid-19 lockdown – during which the singer herself became infected and almost died. Together with musical friends and family, She Walks in Beauty fulfils Faithfull’s long-held ambition to record an album of poetry with music.
Delving deep into her past, it’s a record that draws on her passion for the English Romantic poets, a passion she fostered at St Joseph's Convent School before leaving for London at the age of 16. There she entered the world of As Tears Go By, of Mick Jagger and the Rolling Stones, setting her on a left-hand path to pop stardom. Sixties iconography and outrage followed, as did her subsequent battles with addiction before her 1979 return to powerful female and artistic autonomy with Broken English.
Reigning CMA Entertainer of the Year Eric Church confirmed that new music is on the horizon: "I have [new] albums coming out in April. They came out of my 28 days in the mountains of North Carolina, where the songs were recorded and written. The collection is entitled Heart & Soul."
Eric Church - Heart
Vinyl: $35.98 Buy
After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records. Indie Exclusive on white vinyl.
Vinyl: $31.98 Buy
Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for indie retail, and CD. A black vinyl release will follow on May 7.
Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.
The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process, and finding the group willing to do whatever it took to discover the essence and magic in the material.
The legendary So-Cal punk group The Offspring return with their 10th album (and first new offering since 2008), the blistering and triumphant Let The Bad Times Roll. Produced by Bob Rock, the group describes the album as "the most cathartic thing we've done. The messages might be dark, but at the end what's left is that communication is important, working through feelings is important and most of all, hope is important."
Reigning CMA Entertainer of the Year Eric Church confirmed that new music is on the horizon: "I have [new] albums coming out in April. They came out of my 28 days in the mountains of North Carolina, where the songs were recorded and written. The collection is entitled Heart & Soul."
Eric Church - Soul